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Different nationalities have different skin tones. Some have ruddy complexions, others a yellow undertone, while some have dark skin. Study photographs, place them next to each other and note the differences. Skin tones reflect the colours around them. If you are wearing a purple shirt, you will get some reflection under your chin depending on the lighting. If you are standing next to a yellow wall, the side facing the wall will reflect the yellow. The colour of the lighting impacts on skin highlights and shadows.

If you use a yellow light, the shadows of the skin are generally the complementary colour in this case purple. One thing I remember reading Don Seegmiller in his book Digital Character Design and Painting was the fact that the strip across the nose section of the face is pinker than the rest, while under the eyes should be purplish-blue as the skin is so delicate here.

I recommend his book for color theory, regardless of the painting medium! In fantasy art, the ability to create convincing skin tones in important, particularly if painting something like a Drow, or even an alien with blue skin. Hair is basically made from 4 colours which I vary the opacity and size of the bush.

The illustration below shows the four colours and the way I build up the hair. I added a leather jacket and a cameo choker. I planned on having a night sky, maybe the silhouette of a building. This means that dark blue is going to have to replace the maroon canvas colour. I took a break and came back to the painting after some food. You can waste a lot of time working on something, only to realise there is an inherent flaw in the drawing.

So I really had a think about where the painting was going… which was feeling like the great digital dustbin in the sky!

I get bored with details so I moved onto the male character. I spent about 2 hours working on the guy. Notice that his skin base is slightly more yellow. When I work from photo references I try to avoid working directly from one reference for copyright reasons. This way I can make the colour up on the fly. I also find that it helps to practice sketching in greyscale. You focus on rendering the form rather than colours, which teaches you a lot about volume, lighting and texture.

I spent another 2 hours on this up to about hours now. I kind of became obsessed with finishing his face. I put him in a leather jacket and white shirt and played around with where his arm should go, ultimately deleting it. I changed the background colour to a near black colour while I was playing with things. I enjoy these kinds of paintings because I just let the paintbrush take me where it wills.

When I paint I listen to a variety of music, and often it can influence what I paint. So the painting went Venetian 16th century! I deleted the leather jacket and replaced it with a front-laced bodice over a creamy chemise.

I think it is important to think about the clothes you put your characters in… it is part of their story. A few hours work went into the dress. This is only the basic form. I flicked through some reference shots of skies and started laying down some colours in Photoshop with a large airbrush tool. I added some columns and moved the characters closer together. Each character is on a separate layer and I often take a copy of a layer to do the modifications in case I muck it up!

The pose is still disjointed. Why is she moving away from him? Is he trying to put on her cloak, take it off, or strangle her? When you paint, you have to think about how the painting could be interpreted.

Unfortunately I sat down and painted in one marathon session without taking saves part ways through. Inspiration struck and all at once I knew exactly how the painting had to look. All the missing elements fell into place. I had the narrative that went with the painting, I knew why they were standing together. The pose was vital to the scene. The sky remained unchanged however the bottom needed a focal point — it was too empty.

It still was looking empty. The placement was deliberate in that I wanted the viewer to follow the motion from the dragon to the characters and back around. There are 13 layers in the final version after I collapsed the multiple character layers from the previous version.

I thought I was finished. I posted it online, added it to a few galleries, but something was still a little unrefined. So I stepped away from it for a week or two see further down for the revised version. I went back and refined it a little… just added a few more details to the hair, fixed the column and tidied up the tree-line. The dragon-thrall caught her, its silken threads binding her mind to the golden dragon completely. Kara and the great beast launched upwards as one, pushed from powerful back legs.

Muscles flexed as the wings extended fully, capturing the wind and propelling them higher still. She threw back her head and laughed, the rumble echoing from the surrounding cliffs. The sun and sky called to her, daring her to fly higher and faster than she could ever dream. She wheeled to the right as she caught movement in the valley below. Ruby eyes fixed on the deer. Tucking her wings to her side, she dove towards the earth, pulling up just above the forest, the trees bending then snapping back in her wake.

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The latest version of PaintShop Pro comes with enhanced tools and better hardware integration, making it the most user-friendly and efficient so far. Making simple fixes to photos, applying effects, and also playing with advanced editing downloqd is fun and intuitive making it a great choice for all kinds of users from professionals to newbies. Learn new skills and find creative inspiration from Corel’s Discovery Center.

Find photography tips, tricks and tutorials. Doownload tutorials introduce you to key features in PaintShop Pro so you can master the application quickly. Learn from the Pros, talented photo and design enthusiasts who have excellent PaintShop Pro skills and a willingness corel paintshop pro x5 special edition download free download help others improve their skills. Check out our official blog to stay informed core the photo editing software you love.

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