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Premiere Elements Series Introduction. Workspace Overview. Import and Edit. Edit in Timeline. Add a Clip. Advanced Visual Effects. Colour Correction. Import Audio. Edit Audio. Mix Audio. Lower Thirds. Limiter : Applies limiting after Output Gain, at the end of the signal path, optimizing overall levels. Then specify a Margin setting to determine the absolute ceiling relative to 0 dBFS. Options Spectrum On Input : Displays the frequency spectrum of the input signal, rather than the output signal, in the multiband graph.

To quickly see the amount of compression applied to each band, toggle this option on and off. Brickwall Limiter : Applies immediate, hard limiting at the current Margin setting. Deselect this option to apply slower soft limiting, which sounds less compressed but can exceed the Margin setting. Note: The maximum Attack time for brickwall limiting is 5 ms. Link Band Controls : Lets you globally adjust the compression settings for all bands, while retaining relative differences between bands.

Threshold : Sets the input level at which compression begins. The best setting depends on audio content and style. For example, a setting of three outputs 1 dB for every 3-dB increase above the threshold. Typical settings range from 2 to 5; higher settings produce the compressed sound often heard in pop music. Attack : Determines how quickly compression starts after audio exceeds the Threshold setting.

The default, 10 milliseconds, works well for a wide range of source material. Use faster settings only for audio with quick transients, such as percussion recordings. Release : Determines how quickly compression stops when audio drops below the Threshold setting. Output Gain : Boosts or cuts amplitude after compression. Delay and Echo. Mode : Specifies the type of hardware emulation, determining equalization and distortion characteristics. Tape and Tube reflect the sonic character of vintage delay units, while Analog reflects later electronic delay lines.

Dry Out : Determines the level of original, unprocessed audio. Wet Out : Determines the level of delayed, processed audio. Delay : Specifies the delay length in milliseconds.

Feedback : Creates repeating echoes by resending delayed audio through the delay line. Trash : Increases distortion and boosts low frequencies, adding warmth. Spread : Determines the stereo width of the delayed signal. Filter and EQ. A logarithmic scale more closely resembles how people hear sound.

Reset : Reverts the graph to the default state, removing filtering. Advanced : Click the triangle to access these settings: FFT Size : Specifies the Fast Fourier Transform size, determining the tradeoff between frequency and time accuracy. For steep, precise frequency filters, choose higher values. For reduced transient artifacts in percussive audio, choose lower values. Values from through work well for most material. Window : Determines the Fast Fourier Transform shape, with each option resulting in a different frequency response curve.

These functions are listed in order from narrowest to widest. Narrower functions include fewer surrounding, or sidelobe, frequencies but less precisely reflect center frequencies. Wider functions include more surrounding frequencies but more precisely reflect center frequencies. The Hamming and Blackman options provide excellent overall results. Gain sliders : Sets the exact boost or attenuation measured in decibels for the chosen band.

Range : Defines the range of the slider controls. Enter any value between 1. By comparison, standard hardware equalizers have a range of about 12 dB to 30 dB. Accuracy : Sets the accuracy level for equalization. Higher accuracy levels give better frequency response in the lower ranges, but they require more processing time. If you equalize only higher frequencies, you can use lower accuracy levels. Master Gain : Compensates for an overall volume level that is too soft or too loud after the EQ settings are adjusted.

The default value of 0 dB represents no master gain adjustment. Frequency : Specifies the center frequency for each notch. Gain : Specifies the amplitude for each notch. Enable : Enable the button to pass without processing. Notch Width : Determines frequency range for all notches. The three options range from Narrow to Super Narrow. Narrow is for a second order filter, which removes some adjacent frequencies.

Super Narrow is for a sixth order filter, which is specific. Ultra Quiet : Virtually eliminates noise and artifacts, but requires more processing. This option is audible only on high-end headphones and monitoring systems. Fix Gain to : Determines if notches have equal or individual gain levels. Frequency : Sets the center frequency for bands , and the corner frequencies for the band-pass and shelving filters.

Gain : Sets the boost or attenuation for frequency bands, and the per-octave slope of the band-pass filters. Low Q values affect a larger range of frequencies. High Q values close to affect a narrow band and are ideal for notch filters removing particular frequencies, like Hz hum.

Band : Enables up to five intermediate bands, and high-pass, low-pass, and shelving filters, giving you fine control over the equalization curve. To activate the corresponding settings, click the band button. The low and high shelving filters provide slope buttons that adjust the low and high shelves by 12 dB per octave, rather than the default 6 dB per octave.

Constant Q is the most common setting. Ultra-Quiet : Virtually eliminates noise and artifacts, but requires more processing. Range : Sets the graph to a dB range for more precise adjustments, or a dB range for more extreme adjustments. Types : Specifies the type of scientific filter. The available options are as follows. Bessel : Provides accurate phase response with no ringing or overshoot. However, the pass band slopes at its edges, where rejection of the stop band is the poorest of all filter types.

These qualities make Bessel a good choice for percussive, pulse-like signals. For other filtering tasks, use Butterworth. Butterworth : Provides a flat pass band with minimal phase shift, ringing, and overshoot.

This filter type also rejects the stop band much better than Bessel and only slightly worse than Chebychev 1 or 2. These overall qualities make Butterworth the best choice for most filtering tasks.

Chebychev : Provides the best stop band rejection but the worst phase response, ringing, and overshoot in the pass band. Use this filter type only if rejecting the stop band is more important than maintaining an accurate pass band. Elliptical : Provides a sharp cut-off and narrow transition width. It can also notch out frequencies, unlike the Butterworth and Chebychev filters. It can introduce ripples in both the stop band and the pass band.

Modes : Specify a mode for the filter. LowPass : Passes the low frequencies and removes high frequencies. Specify the cutoff point at which the frequencies are removed. HighPass : Passes high frequencies and removes low frequencies. BandPass : Preserves a band, a range of frequencies, while removing all other frequencies.

Specify two cutoff points to define the edges of the band. BandStop : Rejects any frequencies within the specified range. Also known as a notch filter, Band Stop is the opposite of Band Pass.

Master Gain : Compensates for an overall volume level that might be too loud or too soft after you adjust the filter settings. Cutoff : Defines the frequency that serves as a border between passed and removed frequencies. At this point the filter switches from passing to attenuating, or conversely. In filters requiring a range Band Pass and Band Stop , Cutoff defines the low frequency border, while High Cutoff defines the high frequency border.

The higher the order, the more precise the filter with steeper slopes at the cutoff points, and so on. However, high orders can also have high levels of phase distortion. Transition Bandwidth : Butterworth and Chebychev only Sets the width of the transition band. Lower values have steeper slopes. If you specify a transition bandwidth, the Order setting is filled in automatically, and conversely. In filters that require a range Band Pass and Band Stop , this option serves as the lower frequency transition, while High Width defines the higher frequency transition.

High width : Butterworth and Chebychev only In filters that require a range Band Pass and Band Stop , this option serves as the higher frequency transition, while Transition Bandwidth defines the lower frequency transition.

Stop Attn : Butterworth and Chebychev only Determines how much gain reduction to use when frequencies are removed.

Ripple is the effect of unwanted boosting and cutting of frequencies near the cutoff point. Mode : The following modes are available. Chorus : Simulates several voices or instruments playing at once.

Flanger : Simulates the delayed, phase-shifted sound originally heard in psychedelic music. Speed : Controls the rate at which the delay time cycles from zero to the maximum setting. Width : Specifies the maximum amount of delay.

Intensity : Controls the ratio of original to processed audio. Transience : Emphasizes transients, giving them a sharper, more distinct sound.

Initial Delay Time : Sets the point in milliseconds at which flanging starts behind the original signal. The flanging effect occurs by cycling over time from an initial delay setting to a second or final delay setting. Final Delay Time : Sets the point in milliseconds at which flanging ends behind the original signal. Stereo Phasing : Sets the left and right delays at separate values, measured in degrees.

Feedback : Determines the percentage of the flanged signal that is fed back into the flanger. With no feedback, the effect uses only the original signal. With feedback added, the effect uses a percentage of the affected signal from before the current point of playback. Modulation Rate : Determines how quickly the delay cycles from the initial to final delay times, measured either in cycles per second Hz or beats per minute beats.

Small setting adjustments produce widely varying effects. Mode : Provides three ways of flanging: Inverted : Inverts the delayed signal, canceling out audio periodically instead of reinforcing the signal. Special Effects : Mixes the normal and inverted flanging effects. The delayed signal is added to the effect while the leading signal is subtracted. Sinusoidal : Makes the transition from initial delay to final delay and back follow a sine curve.

Otherwise, the transition is linear, and the delays from the initial setting to the final setting are at a constant rate. If Sinusoidal is selected, the signal is at the initial and final delays more often than it is between delays.

Mix : Adjusts the mix of original Dry and flanged Wet signal. You need some of both signals to achieve the characteristic cancellation and reinforcement that occurs during flanging. Stages : Specifies the number of phase-shifting filters. A higher setting produces denser phasing effects. Depth : Determines how far the filters travel below the upper frequency.

Mod Rate : Modulation rate controls how fast the filters travel to and from the upper frequency. Specify a value in Hz cycles per second. Phase Diff : Determines the phase difference between stereo channels. Positive values start phase shifts in the left channel, negative values in the right. Upper Freq: Sets the upper-most frequency from which the filters sweep. Feedback : Feeds a percentage of the phaser output back to the input, intensifying the effect.

Negative values invert phase before feeding audio back. Mix : Controls the ratio of original to processed audio. Output Gain : Adjusts the output level after processing. Threshold : Determines sensitivity to noise. Lower settings detect more clicks and pops but may include audio you want to retain.

Settings range from 1 to ; the default is Complexity : Indicates the complexity of noise. Higher settings apply more processing but can degrade audio quality. To visually adjust root frequency and gain, drag directly in the graph. Frequency : Sets the root frequency of the hum. Q : Sets the width of the root frequency and harmonics above. Higher values affect a narrower range of frequencies, and lower values affect a wider range.

Gain : Determines the amount of hum attenuation. Number of Harmonics : Specifies how many harmonic frequencies to affect. Harmonic Slope : Changes the attenuation ratio for harmonic frequencies. Output Hum Only : Lets you preview removed hum to determine if it contains any desirable audio. Impulse : Specifies a file that simulates an acoustic space. Mix : Controls the ratio of original to reverberant sound. Room Size : Specifies a percentage of the full room defined by the impulse file.

The larger the percentage, the longer the reverb. Damping LF : Reduces low-frequency, bass-heavy components in reverb, avoiding muddiness and producing a clearer, more articulate sound. Damping HF : Reduces high-frequency, transient components in reverb, avoiding harshness and producing a warmer, lusher sound. Pre-Delay : Determines how many milliseconds the reverb takes to build to maximum amplitude.

To produce the most natural sound, specify a short pre-delay of 0—10 milliseconds. To produce interesting special effects, specify a long pre-delay of 50 milliseconds or more. Width : Controls the stereo spread. A setting of 0 produces a mono reverb signal. Gain : Boosts or attenuates amplitude after processing. Characteristics Room Size : Sets the room size. Decay : Adjusts the amount of reverberation decay in milliseconds. Early Refections : Controls the percentage of echoes that first reach the ear, giving a sense of the overall room size.

Half the volume of the original signal is a good starting point. Width : Controls the spread across the stereo channels. High Frequency Cut : Specifies the highest frequency at which reverb can occur. Low Frequency Cut : Specifies the lowest frequency at which reverb can occur.

Damping : Adjusts the amount of attenuation applied to the high frequencies of the reverb signal over time. Higher percentages create more damping for a warmer reverb tone. Diffusion : Simulates the absorption of the reverberated signal as it is reflected off surfaces, such as carpeting and drapes. Lower settings create more echoes, while higher settings produce a smoother reverberation with fewer echoes.

Output Level Dry : Sets the percentage of source audio to output with the effect. Wet : Sets the percentage of reverb to output. Input Center : Determines the percentage of the center channel included in the processed signal. The LFE signal itself is not reverberated. Reverb Settings Impulse : Specifies a file that simulates an acoustic space. Front Width : Controls the stereo spread across the front three channels.

A width setting of 0 produces a mono reverb signal. Surround Width : Controls the stereo spread across the rear surround channels Ls and Rs.

Because this channel usually contains dialog, reverb should typically be lower. A setting of outputs only reverb. Positive and Negative graphs : Specify separate distortion curves for positive and negative sample values. Click-and-drag to create and adjust points on the graphs. Drag points off a graph to remove them. Reset : Returns a graph to its default, undistorted state.

Curve Smoothening : Creates curved transitions between control points, sometimes producing a more natural distortion than the default linear transitions. Time Smoothing : Determines how quickly distortion reacts to changes in input levels.

Level measurements are based on low-frequency content, creating softer, more musical distortion. Linear Scale : Changes the amplitude scales of the graphs from logarithmic decibels to normalized values.

Compressor : Reduces dynamic range to maintain consistent amplitude and help guitar tracks stand out in a mix. Filter : Choose an option from this menu, and then set options below: Filter : Simulates guitar filters ranging from resonators to talk boxes.

Type : Determines which frequencies are filtered. Specify Lowpass to filter high frequencies, Highpass to filter low frequencies, or Bandpass to filter frequencies above and below a center frequency.

Frequency : Determines the cutoff frequency for Lowpass and Highpass filtering, or the center frequency for Bandpass filtering. Resonance : Feeds back frequencies near the cutoff frequency, adding crispness with low settings and whistling harmonics with high settings. Distort : Adds a sonic edge often heard in guitar solos. To change the distortion character, choose an option from the Type menu.

Amplifier : Simulates various amplifier and speaker combinations that guitarists use to create unique tones. Equalizer : Adjusts the overall tonal balance. Frequencies in the graph range from lowest to highest in a logarithmic fashion evenly spaced by octaves. Low Shelf Enable : Activate shelving filters at the low end of the frequency spectrum. Peaking Enable : Activates a peaking filter in the center of the frequency spectrum.

High Shelf Enable : Activate shelving filters at the high end of the frequency spectrum. Hz : Indicates the center frequency of each frequency band.

Q : Controls the width of the affected frequency band. Low Q values up to 3 affect a larger range of frequencies and are best for overall audio enhancement. High Q values 6—12 affect a narrow band and are ideal for removing a particular, problematic frequency, like Hz hum.

Reverb : Adds ambience. Drag the Amount slider to change the ratio of original to reverberant sound. Exciter : Exaggerates high-frequency harmonics, adding crispness and clarity. Retro : Adjusts light distortion Tape : Adjusts bright tone Tube : Adjusts quick, dynamic response Amount : Adjust the level of processing Widener : Adjusts the stereo image disabled for mono audio. Drag the Width slider to the left to narrow the image and increase central focus. Drag the slider to the right to expand the image and enhance spatial placement of individual sounds.

Loudness Maximiser : Applies a limiter that reduces dynamic range, boosting perceived levels. Output Gain : Determines output levels after processing.

For example, to compensate for EQ adjustments that reduce overall level, boost the output gain. Music : Applies compression and equalization to music or background audio. Stereo Imagery. Time and Pitch. Pitch Transpose : Contains options that adjust pitch. Semi-tones : Transposes pitch in semi-tone increments, which equalmusical half-notes for example, the note C is one semi-tone higher than C.

Cents : Adjusts pitch in fractions of semi-tones. Ratio : Determines the relationship between shifted and original frequency.

Possible values range from 0. Precision : Determines sound quality.



Video: Edit with Premiere Elements | Digital Skills | Toolkit | The University of Aberdeen.


Besides the built-in title presets, Wondershare Filmora Latest Filmora version X also provides more title templates in Filmstock , which offers lots of special effects templates. Currently, there are Title Expansion Set, business title set, wedding title set, and lower third expansion set to download. Check the video below to watch the Title Expansion set templates.

This is another site that offers templates for download but is also a great place to visit for ideas and information. Richard approaches Premiere from a photographer’s viewpoint, and so has a slightly different view on many topics that are well worth reading. He has links to a sizable number of templates on Richard Harrington covering a range of styles and subjects, including DVD menus, animated text, and high-quality models. Still, his blog is updated regularly and often includes free downloads.

Another all-encompassing site has a huge amount of information and knowledge to be gained. The templates are just part of the story. They are available on Pro Video Coalition and include numerous files and even some free video content showing their implementation. Also on this page are links to some other sites offering free content or advice on various aspects of Premiere, making it well worth a visit and definitely worth its place in this top Of particular interest on this site is the regularly updated news which focuses on the latest hardware and software announcements.

This is a commercial site that offers a wide variety of high-quality plugins and templates for several video editing platforms. However, we are on the lookout for that fabulous price of free here, so a little digging finds this page , here you will find ten templates from one of their best selling products offered entirely free.

All templates are quality professionally produced products and worth the visit alone. For anyone who is looking to take their editing output to the professional level, the commercial products on offer here are well worth a look, high quality, and a reasonable cost.

Another commercial site. This one has a range of free templates and presets to download for Premiere. Fourteen open items altogether can be downloaded. This site at least deserves a browse through their catalog after a download. The emphasis here is on low cost but high quality, useful templates, and plugins to suit any project. Even for those of us with a limited budget, there may be something that catches the eye. It is an excellent site for browsing when looking for inspiration.

This is another commercial site that has a smattering of very high-quality free downloads on offer, including a beautiful template for the original Star Wars movie style scrolling titles.

Again, it is worth browsing the catalog when you are on the site, but all the free products can be found here. FX Factory has also created some great video tutorials on a variety of aspects of video production that are well worth a view when you are at the site. A fantastic site full of information, tips, and opinion on all aspects of video production, it’s a great place to spend some time, with the bonus of a bunch of free downloads for Premiere. Of particular note are the tutorials, an excellent source of information and tricks that you may not have seen before, with their YouTube channel being a great source of free guidance for editors of any sort of experience.

A commercial site is offering some great products at competitive prices. At first glance, this may not seem to be a useful place for our search for the free stuff. However, all the products do have a free trial download, and as a bonus, the trial for pack one includes four free to use templates. They are quality products too, and well worth a look.

Style4Type is an exciting site regularly updated with new free templates as well as offering technical advice and having further templates available as commercial products.

And to the side is even a free download for a PDF file that walks you through installing and using the templates within Premiere once you have them. There are already a lot of free templates on offer covering a wide variety of styles, but they are added to with regularity, so it is a site to bookmark for the future. Lots of information on this site as its been running for a decade, it is a website that imparts a wealth of knowledge along the way on not just video editing but music.

The pack includes 21 Premiere title templates to use. Another site that you will want to visit again and again. It is a clean title template without unnecessary parts. If you like simple titles, this one is best for you. You can customize in Premiere easily with a few clicks. Use guides. Import media from various sources. Key Concepts: file, importing layers from. Manage assets in a Premiere Pro project. Official guidelines 3. Use the Timeline panel to manage tracks.

Manage sequences in a complex project. Recognize the different types of layers in the Layers panel. Official guidelines 4. Assemble a video sequence using a variety of tools and panels. Key Concepts: setting In and Out points to determine an edit; splitting, inserting, overwriting, lifting, and extracting clips. Add superimposed text and shapes in a sequence. Key Concepts: Type tools: point text, paragraph text; Create shapes with the Pen, Rectangle, and Ellipse tools; Use the Essentials Graphics panel to browse and select relevant templates b.

Use appropriate controls to modify text and graphic appearance. Key Text Controls: font, size, alignment, kerning, tracking, leading, horizontal and vertical scale, etc. Key Appearance Controls: fill, shadow, stroke, background. Resize clips using a variety of tools. Key Terms: adjusting scale, aspect ratio, or frame size; letterboxing; adjusting for mixed aspect ratios; using vertically shot video from phones; etc. Trim and refine clips using various methods. Modify clip settings. Key Concepts: labeling, renaming, setting poster frame, changing clip speed, creating a freeze frame b.

Adjust the audio of a video clip. Key Concepts: audio gain and channel remapping. Use basic auto-correction methods and tools. Apply effects presets. Key Tools: effects, transitions, presets c. Apply effects presets on multiple clips. Key Concepts: creating and adjusting the length of the adjustment layer, nesting d.

Composite video clips using tracks. Modify effect settings. Key Concepts: adding and adjusting keyframes, adjusting effect properties b. Apply and adjust video motion effects. Key Concepts: adjusting clip settings over time by using keyframes ii.

Key Tools: effects, transitions b. Add audio to a sequence. Key Concepts: synchronizing, linking, replacing, merging clips, mono and stereo tracks c. Adjust audio on the timeline or using the Effect Controls panel. Official guidelines 5.

Check a project for errors and project specifications. Key Concepts: gaps in timeline, audio levels, broadcast safe color and exposure, resolution, title safe area, etc. Export a single frame, a clip, range of sequence, or an entire sequence. Export using Adobe Media Encoder. Key Concepts: batch processing, adding to queue, more than one target screen size or playback device, multiple formats, etc. Archive a project. Key Tool: Project Manager ii. The plug-in efficiently reduces random noise, film grain, analog interference, and compression artifacts.

Neat Video includes adaptive intraframe and temporal filters that together provide the most accurate video noise reduction currently available: noise is reduced while actual details are accurately preserved. Transition Designer Free. The free version gives you a high-quality wipe-transition with a bunch of parameters to adjust, which let you modify every transition exactly for your needs.

It is a wipe effect that allows you to adjust the angle of the transition. Even the free version is GPU accelerated. Transition Designer Lite. Transition Designer Lite provides a transition plug-in that allows you to use Wipe, Push, Dissolve, and Rumble effects with several variations. For example, to feather edges, change directions, or simply add Glow or Vaporize on all transitions except Rumble.

Transition Designer Full. Are you an ambitious, professional editor dealing with time pressures and growing expectations from your client? Split Screen Designer enables you to create great looking split screen effects super fast and in excellent quality.

No programming skills required. You can do everything by simply mouse clicks. All split designs can be controlled precisely via keyframes. Generate your own split screen effects with just a few clicks and create with Premiere Pro effects as seen in the top TV series! Boris FX Sapphire. Easily create stunning photorealistic looks. Never white flash again with 50 slick drag-and-drop transitions. Add trendy glitchy and digital damage effects. Track and mask quickly with integrated Academy Award-winning Mocha.

And more! Presets can be saved and shared across all supported video host applications, delivering a seamlessly integrated workflow across post-production departments. Boris FX Continuum. Boris FX Continuum is the most complete plug-in toolkit for editing, motion graphics, and visual effects. Fix imperfect footage fast with powerful image restoration tools including Academy Award-nominated Primatte keying tech. Import 3D models directly from Cinema 4D and add resolution-independent animated 2D and 3D titles and lower thirds with ease thanks to Title Studio.

Instantly generate real-time particle effects with Particle Illusion. Track and mask quickly with the integrated Academy Award-winning Mocha planar tracking system. Add transitions that make the cut. Boris FX Mocha Pro. Solve the most difficult motion tracking shots including shots with blurred or occluded objects. Advanced masking tools take the pain out of rotoscoping with fewer keyframes. Replace screens with just a few clicks. Stabilize shaky footage and correct lens distortion.

Particle Illusion. Instantly add preset-driven photorealistic particle effects for titles, lower thirds, and background graphics. Track and mask particles quickly with integrated Academy Award-winning Mocha.

It will soon be available as a standalone application with a render engine. Conoa 3D Twelve 3D geometric primitives rendered with a true raytracing renderer, featuring transparency, texture mapping, shadows, and environment mapping.

Six unique plug-ins for adding effects to your film or video. Wrap and unwrap spheres, bend, and flex cylinders and explode cubes. All shapes are rendered with an advanced renderer featuring texture mapping, shadowing, and transparency. All Conoa EasyShapes plug-ins integrate with After Effects’ lights and camera, in addition to their own lights and camera. A Graphic UI is available and the plug-in supports 8-, bit and bit depth. This plug-in allows you to create a vignette on the source clip.

Both rectangular and elliptical vignettes are supported. Vignettes can be repositioned and rotated, applied in any color and blending mode available, to the inside or to the outside. Alternatively only the mask can be rendered, replacing the source layer altogether. In After Effects, only 8 bit and 16 bit depth is supported so far. CyberLink VR Stabilizer. This plug-in works with Premiere Pro and After Effects versions and newer.

For over a decade, Delirium has been the standard for essential visual effects, and motion graphics capabilities. These effects let you inexpensively add greater control and quality to the built-in features of your host application. Damage v2. To all of you who thirst to wreak more havoc, the scores of you who want to take all that is beautiful and render it visual debris, and for those of you who have been writing us about all the electronic carnage you daydream about if only you had a way to do it faster, with more options.

All the ancient evil of analog signal defects in Skew and Interference; the modern, coldly unsympathetic digital malfunction of Artifact and Blockade — and now, you can harness the incompetence at the source.

Two new effects in the Damage toolbox — Aged Film, Destabilize and Overexpose — allow you to go back in time and not only corrupt your footage, but also ruin the image of the camera operator. Beauty Box automatically identifies the skin tones and removes blemishes and wrinkles, while leaving important facial details sharp.

HD and 4K show more detail than ever, including blemishes and make up problems. Beauty Box solves these problems and keeps your talent and clients looking great. Flicker Free. Flicker Free is a powerful new way to deflicker video. It solves common problems such as time lapse flicker, slow motion flicker, and rolling flicker caused by LED lights, fluorescent lights, or computer monitors.

Various presets deflicker common problems and a few parameters give you the control to easily modify things as necessary. The results are remarkable, so try the free demo on your footage. DFT Film Stocks is a unique set of filters that simulate different color and black and white still photographic film stocks, motion picture films stocks, and historical photographic processes.

Based on their experience in creating special effects for hundreds of feature films, and expertise in film scanning and recording techniques, Digital Film Tools has laboriously researched and analyzed different film stocks to create a set of interesting analog photographic, motion picture and vintage looks for your own projects. By analyzing brightness, color, tone, detail, grain, and texture of some of the world’s greatest movies, paintings, photographs, and historical photographic processes, Digital Film Tools has created a way to apply these looks to your video projects.

The color, tone, and brightness of the original work are replicated while the texture, grain, and detail are simulated. You can also use your own pictures and movies to create and reapply new look profiles. This plug-in allows you to add drama, polish, and style with stunning and realistic light ray effects using volumetric lighting and crepuscular rays.

Add shafts of light streaming through clouds, rays filtering through a forest canopy, beams of light on a foggy night or rays shooting out from text. Each image is decomposed in three detail layers coarse, medium, and fine which then can be manipulated separately in various ways including sharpening and smoothing. Together with masking this technique is powerful for creating sophisticated masterpieces.

Uniquely crafted and powerful video effects and transitions — Ready to improve your video editing projects every day. Essential Transitions. The perfect starter collection of video transitions for Premiere Pro. Spark your creativity and experience blazing fast render speeds.

Lights and Blurs. Instantly apply beautiful blurs, shimmering bokeh’s, enchanting glow, and lights to your video. Drive your story forward. Get soft and elegant video transitions for Premiere Pro. Creating the right mood has never been easier. Express your personal editing style. Energize your cuts with the Film Impact Distortion series. Stylize your transitions and use captivating effects like the kaleidoscope or glass distortion effect.

Discover powerful distortion effects like shake, glitch, grunge. Slice up your video to reveal the next scene. Stretch your clips and dynamically transition into the next clip. Create 3D Rolls and apply 3D transformations to your scenes. A brilliant set of transitions for creating professional logo reveals within minutes.

Easily animate using adjustable visual curves like Bounce, Overshoot, and Beziers. The animation series is designed to create dynamic animations quickly. Add a dazzling amount of 3D motion blur to emphasize each movement. Smart Tools. Discover smart and time-saving editing solutions for Premiere Pro. Stop wasting precious time. Edit faster and be creative! Among them are shine, glow, and sparkle effects with bit and multi-CPU support. Curves is a versatile and precise color correction tool.

This plug-in provides more control and accuracy beyond the built-in curves tools in Adobe Premiere Pro, so you can get the most out of this basic tool. Lenscare moves depth-of-field and out-of-focus generation to post-production. If you need high-quality camera blurs with the flexibility of 2D postprocessing, Lenscare is a great choice. It can get rid of long extra 3D rendering times. The key aspect during the development of these filters was to match the real thing as closely as possible.

Visual effects toolbox with unmatched features and performance. FxFactory Pro effects are accelerated using the graphics card for unbeatable previewing and rendering performance. FxFactory Pro plug-ins ship with many built-in presets, a time-saving feature to try new looks with minimal effort. Save your own presets to disc and re-create the same look later. Create stunning slideshows. The principle behind Photo Montage is simple: select an animation style and a few of your photos, and let the plug-in do the rest.

Rearranging photos or changing the duration of each can be done in seconds, thanks to an intuitive configuration UI. Ease of use does not imply limited functionality. A full array of effect parameters allows expert users to create unique animations. Create the photo animation style made popular by Ken Burns. Achieve stunning results without a single keyframe. Flickering is a common problem in time-lapse or stop motion footage captured using a digital still camera.

Frame by frame variations in lighting or in exposure lead to perceptible brightness fluctuations, or flicker. Decimal Counter. The color spill of the background photographed with the subject is automatically adjusted to match the composite image, and variations and shadows due to uneven lighting can be cleanly removed. Rendering is as natural as it can be for curved glass surfaces like wine glasses and transparent liquids. It allows users to add a stereoscopic 3D effect to text subtitles created on their stereoscopic 3D video.

Parallax can be adjusted, and operation is easy. Not only text but also any 2D graphics can be stereoscopic 3D video. ISP 3D Preview, included in the product, allows users to quickly check how the effect would be seen. It allows users to remove false color, which is a destiny of videos shot by DSLR cameras equipped a large sensor.

Even though there are many reasons to produce false colors, the answer is here. By applying this plug-in, any false colors get corrected to true color, even night scenes. It allows users to add an HDR effect in videos by applying this plug-in.

Or expand their creativity by adjusting parameters only three to get a taste of results from supernatural to superartificial. Levels and Curves. Film Transitions. Elements 3 Ultimate. NewBlue Elements 3 Ultimate includes over presets in 21 video effects that simplify multi-step compositing tasks. Easily generate split screens and drop shadows. Add a viewfinder overlay and key green screen footage inside your editing application. Essentials 3 Ultimate.

NewBlue Essentials 3 Ultimate includes over presets in 24 workflow-enhancing video effects that stabilize shaky footage, remove flashes, and sharpen details in an essential go-to toolkit. Designed to address everyday post-production needs such as color correction or stabilization, you find life-saving tools like Noise Reducer, Lens Corrector, Stabilizer and Flash Remover, or image enhancers such as Skin Touch Up, Detail Enhancer and more.

NewBlue Filters 3 Ultimate presents over presets in 22 video effects to instantly enhance video through an array of distinctive looks like Fish Eye and Day for Night, and color enhancers such as Colorize and Selective Tint.


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